Mr. and Mrs. Andrews, sealed by Gainsborough, owned a large estate near Sedbury, the artist’s hometown. Their portrait he wrote shortly after his return to Suffolk from London. It should

Gainsborough was very fond of portraying a rural landscape. And always in these humble stories included people and animals. Here, too, a herd of well-fed cows comes back from the

In the era of the reign of Queen Victoria in London lived a certain Adam Worth – a fraudster, a thief, but an imposing man and an incorrigible romantic. In

Before us is a portrait of a young man in a half-turn. A lush mane of hair, a young, spiritual face, an intelligent look, a probationer. He seems to warn

Mary, the artist’s eldest daughter, is about twelve here. Margaret is about eight. This portrait is one of many written by Gainsborough from his daughters. Like most of them, he

We know six double portraits of Gainsborough’s daughters. Most of them remained unfinished. Having created an image and breathed into his soul, Gainsborough cooled down to work. But a custom-made

Here the artist devotes all his attention to the landscape, and the presence of man and animals is only slightly indicated. Before us is a winding road that runs down

The singer Anna Ford was extraordinarily talented: she was very musical, had a great voice, spoke five languages. She dreamed of becoming an actress, singing, but her father categorically forbade

Sir Robert Andrews and Francis Carter were married in November 1748 and this portrait was written in honor of this event. A young couple is written against the background of

Elizabeth Sheridan, in the girlhood of Lynley, had a beautiful voice. With her singing, she fascinated the entire theater London. In addition, she possessed undoubted beauty, grace and charm. She

Landscape has always been the favorite genre of Gainsborough. Over time, he resigned himself to the fact that landscape painting can not become a source of livelihood for him, and

John Kilmory is a count, a viscount from the Irish Peerage. Against the backdrop of the landscape, a middle-aged man, the same, seems to be stout, like a tree behind

Before us is an aristocratic family – husband, wife and their daughter Sarah. They are walking in the park. George is telling something to his wife with a gesture, gesturing

The artist tried to portray here another life of the English, different from the aristocratic way of life. Three children from a poor family went to the forest for brushwood.

Gainsborough knew how to transfer the resemblance to nature in a phenomenal way and he was able to use it for his material condition. It so happened that he was