
As a rule, Italian and French still lifes in the 17th century still tend to strictly objective description of actual phenomena. The Dutch were still in the tradition of “disguised symbols.”
The “fruit basket” of Baltazar van der Asta, for example, contains many symbols to show that he is concerned about what is happening around him.
The presence of defects and wormholes, butterflies, dragonflies and flies – is very unusual for still lifes. If you pretend that here apples symbolize victory over sin, and insects and lizards often associated with evil, then this ordinary plot – a lizard chewing apple, dropped out of the basket, turns into a scene of the struggle between good and evil.
Fruit Basket by Edouard Manet
A boy with a basket of fruit by Michelangelo Merisi da Caravaggio
Fruit Basket by Michelangelo Merisi and Caravaggio
Flowers in a glass vase and fruit by Jan Davids de Hem
Still Life with Flowers, Fruits, and Shells by Balthasar van der Ast
Basket of Fruit by Caravaggio
Nude woman with a basket of fruit by Georges Braque
Flowers and fruits by Baltazar van der Ast