On the right wing, Tommaso’s wife, Maria, with Marguerite’s daughter was imprinted. It is interesting that Maria Baronchelli has the same hat, necklace and ring, as in the marriage portrait of Memling’s hand. She is patronized by Saint Mary Magdalene, who is looking at her from behind Margarita. For contrast, St. Margaret looks at the daughter of the donor from behind Maria’s back.
St. Margaret stands on a dragon, according to legend torn it; the left shoe of the saint is still in the mouth of the monster. The reason for the diagonal location of the Saints Mary Magdalene and Margarita can be the fact that the main patroness of Tommaso’s wife was directly the Virgin Mary, imprinted on the central section. A bright landscape with flying trees says about the fall, though, most likely, was conceived as a winter landscape.
Christmas (Altar of Portinari). Left wing by Hugo Gus 
Christmas (Altar of Portinari). In the closed state by Hugo Gus 
Navidad (Altar Portinari).Ala derecha – Hugo Gus 
Noël (autel de Portinari). Aile droite – Hugo Gus 
The Adoration of the Shepherds (Altar of Portinari) by Hugo van der Gus 
Navidad (Altar Portinari). En estado cerrado – Hugo Gus 
Adoración de los pastores (Altar de Portinari) – Hugo van der Goes 
Navidad (Altar Portinari).Ala izquierda – Hugo Gus