“Melancholy and the mystery of the street” is the most famous work not only de Chirico, but also the whole trend in art, called “metaphysical painting.” The picture was studied

A special reality, consisting of objects of various shapes and textures, producing impressions of a welter against the backdrop of desert landscapes creating a new metaphysical world, vibrating on the

De Chirico is the poet of the city, but the city is very strange. It is quite obvious that the images of his urban landscapes have some personal significance for

This is the typical “metaphysical” work of de Chirico, which is an attempt through a set of real images to reveal the “magical” meaning of being. The urban landscape here

In 1927-1928 de Chirico repeatedly turned to the theme of archeology. Coinciding in time with the “gladiator” cycle, the cycle “archaeological” also appeals to theatricality and spectacular reflection of reality.

This work arose during the first stay of de Chirico in Paris in the summer of 1911, when, having presented his works at the Autumn Salon and the Salon of

Such works are completely incomprehensible, although de Chirico’s hand is recognized without difficulty; the author’s evidence is evidenced by undoubted indexes in the form of the artist’s favorite images. At

In 1912-1913, de Chirico created several canvases depicting typical Italian city squares. During this period, de Chirico tries to philosophically comprehend the surrounding reality, it is occupied by riddles, mysteries,