Two key works Rauschenberg – collages Bed and Monogram. The first of them was a real bed Rauschenberg, splashed with paint and delivered vertically, like a painting; second collage was decorated with a stuffed angora goat.
In the sixties, Rauschenberg began to organize performances, to work with the engineers and the use of different printed materials; he sought to express the complexity and layering of the existence of modern industrial society.
In the 1980s, it was published several albums of photos Rauschenberg, who were the logical culmination of the frequent use of the photographic material in the collages and the embodiment of the author’s presentation of the world as an absurd conglomeration of images.
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