As is known, in recent years, Forest Edwards began working under the pseudonym Edward Miller. This decision was made in order to be able to expand the range of creative activity, diversify the direction of its activities in the field of art without any claims from publishers based on its previous work, especially those related to the genre of horror.
Like Miller, Edwards attaches greater importance to landscape elements, as opposed to his inclination, like Edwards, to portraiture. The works of Edward Miller are more romantic and free from the conventions of the genre. An artist named Miller differs greatly in the technique of painting from the conservative Edwards, who works oil on the primed smooth surface of the canvas.
Recently Edwards began to master digital technologies, enjoying the freedom provided by computer capabilities, although, as before, he prefers traditional methods of painting. In Edwards’ Eden’s painting “The End of Eternity” a thoughtful young man stands at the border of two worlds – he is faced with a difficult choice. From his decision, perhaps, depends the fate of mankind and the whole planet in front of the terrible threat of extinction. Apocalypse. The inevitable end can be prevented only at the cost of one’s own life.