Nadenka Zhdanovich Fedotov knew still very small, he made a pair of watercolor portraits of her and Olga’s sister, drawing both in the same red dresses, with bare hands.
Even then, in a teenage girl with a serious gaze, he guessed the character that was fully revealed in the young girl-institute, which the artist painted sitting behind the clavinet: purity without hypocrisy, femininity without affectation, dignity without arrogance, vivacity without coquetry, the mind without pedantry, modesty without derogation.