Virtuality and surrealism Dali – deep, complex, involuntarily connected and eludes logical analysis. This is the meaning of the unreal state that comes in dreams.
In the “abnormal” painting accurately observed details and images can be traced, despite the conscious confusion of the image, looking through which you find yourself in the unknown world of mystical beings and fluid dreams.
Dali’s paintings are a universe of personal experiences. In them there is both eroticism and sadism, life borders on death, and the only possible state is deformation.
Dali’s trademark was transformation. Sometimes this technique forms the central essence of the picture, and sometimes remains a detail. The state of transition, the metamorphosis of the object, plays an important role in the world. Reality and fiction do not differ here. The inconceivable confusion of incompatible details gives the sensation of an irrational reality that forms a single complex.
The work of art opens to each in its own way. No one can explain what can be understood through their own sensations and life experience. There are a number of symbols in the picture.
Human beings in the background reminiscent of insects, or rather locusts or ants, which were signs for the impressionable Dali and are associated with a harbinger of troubles and as a result, with death.
Despite the masterly mastery of the author, the picture looks etude without demonstrating the technique. He created a kind of deserted laconic landscape with a rock in which everyone lives an unreal life.
The artist depicts naked people, in fact, a symbol of surrealism, which reveals everything without any boundaries, as in the Surrealist manifesto, saying that “there is no limit to your fantasies,” and we invent the limits ourselves.
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