The leader of the Russian avant-garde movement of the late 1900s and early 1910s, MF Larionov, attached great importance to sincere, naive and, at first glance, frivolous children’s creativity, since
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The leader of the Russian avant-garde movement of the late 1900s and early 1910s, MF Larionov, attached great importance to sincere, naive and, at first glance, frivolous children’s creativity, since
The painting “Resting Soldier” – software canvas, part of the so-called. soldier series Larionov. At the time of writing, the artist often traveled to camps. At that time he was
In the Still Life with a Tray and Cancer, the rotation inherent in many Larionov’s canvases includes several clay bottles of beer and boiled red crayfish lying on a white
The real primitivism of Larionov begins with the paintings of the Soldier’s Cycle, first exhibited on the Jack of Diamonds in 1910. Here, too, a full-scale line and a line
Artist Mikhail Larionov was a bright, optimistic and extraordinary man. He perceived reality under his special look and complex perspective. This was manifested both in life and in his creative