
Hogarth surprisingly well knew how to write animals and they are present on most of his paintings. Sometimes he replaced animal images with decorative details, but more often the images of animals carried a semantic load, allowed the artist to reveal the essence of the plot or features of the human character more deeply.
Very often animals from Hogarth “imitate” people, thereby emphasizing the absurdity of their behavior. For example, in the picture “Captain Lord George Graham in his cabin,” the dog in the wig stands with his legs folded, before the sheet of music, in his pose, copying the pretentious figure of the singer trying with all his might. In some works, animals have a symbolic meaning. So, on the scene of the “Marriage contract”, 1743-45 from the “Fashionable marriage” series, two dogs, bound by one chain, indicate the future of the bride and groom.
Capitán Lord George Graham en su cabina – William Hogarth
Capitaine Lord George Graham dans sa cabine – William Hogarth
Children of Graham by William Hogarth
Portrait of Captain T. Koreem by William Hogarth
Boudoir of the Countess by William Hogarth
Portrait of William Cavendish, Marquise of Hartington by William Hogarth
Piva Street by William Hogarth
Hike in Finchley by William Hogarth