Il s’agit d’un portrait d’un ami de l’artiste François Granet, également artiste. L’Ingres le place sur fond de paysage romain, à demi tourné, regardant calmement le spectateur. Mais derrière ce calme extérieur se cache le mensonge des tensions qui se font sentir dans l’atmosphère d’avant orage, dans les nuages gris qui pèsent sur Rome.
Ces nuages gris-verdâtres ont en commun des dizaines de demi-teintes, avec lesquelles la cape du modèle est écrite. L’ensemble du portrait dans l’ambiance laisse présager une nouvelle attitude des romantiques.
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