The early period of creativity was marked by the strong influence of K. Corot and G. Courbet. In the 1860s his landscapes, which do not contradict the canons of official

The theme of the big city occupied a modest place in the painting of the XIX century. We can say that the Impressionists were the first to introduce the urban

Landscapes Pissarro are not bright in colors, as a rule, restrained in color. However, the picturesque texture of his canvases is complex and unusually multicolored; Thus, the gray tone of

Pissarro strongly disagreed with those who thought the streets of Paris were ugly. For him, they were bright, and the intensity of life on them, changing in a matter of