As in Central Asia, Vereshchagin shows a steady interest and special attention to remarkable architectural monuments. He lovingly conveys their decorative features, unusual for European forms, an organic connection with the surrounding landscape.
As an artist, he not only displayed a taste for everything decorative and ornamental, but also a special patience and perseverance so that the complex plexus patterns, small, but expressive details of the form were transmitted accurately and even at a distance without approximations. “Fine jewelry work” of Indian masters, whom he admired, demanded from him the most minted painting.
Related Paintings 
Moti Masjid (Mezquita de las Perlas) en Agra – Vasily Vereshchagin 
Moti Masjid (mosquée de la perle) à Agra – Vasily Vereshchagin 
Mausoleum of the Taj Mahal in Agra by Vasily Vereshchagin 
At the door of the mosque by Vasily Vereshchagin 
After good luck by Vasily Vereshchagin 
Winners by Vasily Vereshchagin 
The suppression of the Indian Uprising by the British by Vasily Vereshchagin 
Mausoleum of Gur-Emir. Samarkand by Vasily Vereshchagin
Moti Masjid (Mezquita de las Perlas) en Agra – Vasily Vereshchagin Moti Masjid (mosquée de la perle) à Agra – Vasily Vereshchagin Mausoleum of the Taj Mahal in Agra by Vasily Vereshchagin At the door of the mosque by Vasily Vereshchagin After good luck by Vasily Vereshchagin Winners by Vasily Vereshchagin The suppression of the Indian Uprising by the British by Vasily Vereshchagin Mausoleum of Gur-Emir. Samarkand by Vasily Vereshchagin