The picture “Death and the miser”, dated by the mature Bosch, dated 1490-1500 years, is, apparently, part of a larger work. This can be judged on the basis of a

The picture “Death and the miser”, dated by the mature Bosch, dated 1490-1500 years, is, apparently, part of a larger work. This can be judged on the basis of a
Earlier it was thought that the “Concert in the Egg” was a copy of the lost work of Hieronymus Bosch, as indicated by the presence of one of his drawings,
In the painting “Brake in Cana,” Bosch departs from tradition, the scene depicted here is imbued with alarming, diabolical tension. It seems that the mysterious little character in the wreath,
“Altar of St. Anthony” is dedicated to the holy hermit, who lived in the III – IV centuries. in Egypt. Antony was revered as a defender of fires and a
St. James the Elder – the brother of John the Evangelist, was in the circle of people close to Christ. He wears a wide-brimmed pilgrim’s hat and cloak, on his
The picture of Hieronymus Bosch “Carrying the Cross” is distinguished by a painfully cold color intensity. And only on the face of Christ – his head is lowered, as if
External leaves “Creation of the World” of the altar “Garden of earthly pleasures”. Bosch depicts here the third day of creation: the creation of a land, flat and round, washed
“Extraction of the stone of stupidity” – a picture attributed to the Dutch artist Hieronymus Bosch. This picture represents a folklore line in the artist’s work. At first glance, it
Visions “The overthrow of sinners” and “Infernal river” Bosch treats in accordance with the teachings of the mystics, that is, in the spiritual plan. On the board “The overthrow of
In the picture “Infernal river” from the top of a steep cliff to the sky beats a pillar of fire, and below, in the water helplessly flounder the souls of
There is an opinion that these are fragments of two different altars, where “The overthrow of sinners” merged with “Ascension into the Empire”, and “Hell’s River” – with “Terrestrial Paradise”.
I. Bosch created several triptychs on biblical themes, one of the last is “Adoration of the Magi”. The main part of the work shows the main plot. The Mother of
The right shutter of the triptych of Hieronymus Bosch “Voz sena”. The image of Hell is found in the works of Bosch much more often than Paradise. The artist fills
The picture “Allegory of gluttony and lasciviousness” or otherwise “Allegory of gluttony and lust” written in the mature period of the artist’s work is not accidental. Apparently, Bosch considered these
Jesus, surrounded by four tormentors, appears before the viewer with a kind of solemn humility. Two soldiers before the crown crown his head with a thorns crown. Their views are
The life of Christopher was known to Bosch on the “Golden Legend” by Jacob Voraginsky, during the life of Bosch translated into Dutch. There it is reported that a giant
Seven Deadly Sins, one of Bosch’s earliest known works, has a pronounced moralizing character with elements of irony and satire, which has a rather complicated structure: five different diameters of
Hieronymus Bosch often chose the lives of the saints as the theme of his paintings. Unlike the traditions of medieval painting, Bosch rarely depicts the miracles they created and the
The art of the Netherlands of the 15th and 16th centuries Altar “The Temptation of Saint Anthony” is one of the best works of the mature Bosch, it is no
Against the backdrop of the endless landscape, a cavalcade follows the huge rise with hay, among them the emperor and the pope. Representatives of other estates – peasants, townspeople, clerics
This picture is the most famous triptych of the Dutch painter Hieronymus Bosch. Reproduction so called because of its central part, which is devoted to one of the sins –